Friday, January 31, 2020
MCI WorldCom Essay Example for Free
MCI WorldCom Essay As noted above, Latin America is and has been ahead of many countries with emerging economies in the development of its telecommunications sectors and the attraction of private investment. Similarly, it has been substantially advanced in its promulgation of rules and regulations, changing as required to keep up with constant change in technology and services. All of the above drives or suppresses competition and growth depending on how the change is effected and how effective enforcement is executed. In Mexico, we have seen investment moratoria declared by MCI WorldCom and ATT based on alleged failure of the Government to enforce the telecommunications regulations against TELMEX, which most affect the economics of service-provision by the competitors. While resolution has commenced of these issues in Mexico, full resolution is not yet a reality, and the sector has suffered a slow-down in investment at a time when investment should have been the most robust in Mexicos history. On the other hand, one sees in Mexico, a reversal of the cross subsidies which previously characterized the service of TELMEX. For example, before privatization, TELMEXs local exchange service failed to cover one third of its costs and was permanently subsidized by TELMEXs dramatically high international tariffs. That has reversed, forced, in part, by the requirements of its Concession and the introduction of competition in long distance and international service. As new international operators can compete on price, without regard to local exchange service, if the incumbent does not lower international prices and remain competitive, it will lose a large portion of its revenue and its best and most lucrative customers. In fact, some of the most vigorous of the complaints of TELMEXs interconnection and access charge practices demonstrated a policy of avoidance of competition in this lucrative market. Currently, ITU reports show dramatically higher local exchange charges than those, which characterized the pre-privatization company. Indeed, TELMEX monthly recurring charge is on par with other countries of Latin America which have rebalanced their tariffs to eliminate the cross subsidies. Thus, it is significantly higher than monthly recurring residential charges of companies in other countries that have not been obligated to rebalance. The latter means that those countries remain largely without formal or effective competition. This is because competition forces rebalancing of tariffs in order for the incumbent to maintain market share in the price-competitive and lucrative markets like long distance, international and commercial. Similarly, Argentina and Peru have monthly recurring charges, which reflect a rebalancing of tariffs and elimination of much of the cross-subsidies that previously characterized the companys finances. This means necessarily, a higher monthly recurring residential charge than countries such as Paraguay, Surinam and others that have not yet eliminated their cross subsidies (again typically revealing a lack of competition which threatens the market share of lucrative and over-charged markets). As noted earlier, the law and the vigorous competition in Chile contributed to the elimination of cross subsidies and the balancing of tariffs with cost of providing the service. Thus, like Argentina, Peru and Mexico, Chile had monthly recurring residential charges, which reflected its cost of providing the service, and operators competed vigorously in long distance and international pricing for market share. At the end of 1999, however, the Government forced a lowering of monthly recurring charges, which substantially impacted the revenue balance of local exchange carriers. That is, with long distance and international tariffs subject to severe competition and thus as marginally low as possible, the monthly recurring charge is one of the few revenue sources available to generate margin. While it cannot create wide margins as monopoly international services once did due to the economy of the market of residential users, it at least covered its costs and generated profit in a rebalanced tariffing environment. Now Chilean local exchange carriers are saying that the new rules no longer allow that. Thus, they have declared a moratorium on the construction of local exchange infrastructure. Perhaps by the time of the PTC conference, we shall have a resolution of the dispute. What all of the above, and current marketing of services in other countries, like the U. S. , cause us to think about is how networks will be paid for in the future. In a technological environment where long distance is virtually the same as local exchange service (eg. ATT advertises its one service which encompasses the entire of the U. S. , local and long distance; Venezuela has reduced its domestic long distance to two regions, all else within them is local exchange; Sprint sells its ten cent minute anywhere in the country, etc); wire line virtually the same as wireless (Ugandas second national operator uses exclusively a GSM cellular network with software distinctions for price-capped services; Canada and U. S. move toward wireless local loop being interchangeable with cellular and fixed line telephony); data equals voice services (GPRS and UMTS provide telephony services with internet access, interactive email and other mixed services features), etc. Thus, technological convergence; global seamless mergers of services and service operators and new means of delivery, like the INTERNET, point toward different measures of financing infrastructure build-out. For example, whereas operators used long distance and international revenues predominantly in the past as a primary revenue stream, which supported financing of build-out, those streams have shrunk substantially in a competitive environment. The same is true for international settlements. Now, as we are seeing in Chile, the same could be true in the future for the monthly recurring charge on local exchange service. Prepaid services and cellular or other wireless substitutes for local exchange service, already threaten this revenue stream.
Thursday, January 23, 2020
Overcoming the Giant :: Art Arts Films Film Movies Essays
Overcoming the Giant "And he slung it and struck the Philistine in his forehead . . . and he fell on his face to the earth" (1 Samuel 17:49b). The Biblical account of David and Goliath is the most famous incident of the underdog defeating the giant. Since this event, history has seen giant after giant overcome by a seemingly insignificant underdog. Alexander the Great, before he was given his title, defeated a supposedly unconquerable Persian army, led by King Xerxes. In the 1960s, Joe Namath, quarterback of the New York Jets, predicted and delivered a shocking victory over the heavily favored Baltimore Colts. Even in fairy tales, the theme lives on in "Jack and the Beanstalk." And, today, in the heart of San Jose, another David-and-Goliath scenario has arisen between the Camera Theaters and the mainstream Cinemas. But this time, the hurdle is daunting. Can the Camera Theaters overcome this giant, or are the challenges too numerous and too great? There is, of course, one main obstacle for the Camera Theaters to overcome if they are to survive: they must draw more teens. Why are teenagers so important to the movie industry? When it comes to making money in the movie industry, it is statistically proven that the largest profit contributors are 16-20 year old males. While the art films in downtown San Jose draw educated, sophisticated 35 year-old audiences, they have not drawn the young moviegoers. This, in a nutshell, is the challenge the Camera Theaters must break in order to survive the tightening grip of the merciless cinemas. However, we must recognize the multiple pieces that makeup the nutshell before we can crack it. To determine what the Camera Theaters need to do in order to overcome the lack of teenagers it draws, the writer took an unofficial poll that has laid out the biggest reasons for the lack of interest among teenagers. The poll taken showed that 60% of Prospect High School students have never been to either of the Camera Theaters, thus confirming the hypothesis that the theaters need to draw teens through their doors. But the poll went further: it also showed that 40% of students had never even heard of the Camera Theaters. Therein lies problem number one in drawing teens: lack of publicity. For the Camera Theaters to survive they must find a way to gain publicity. In 1993, when it seemed like the Cameras were going to close, twelve art film theater owners wrote letters of support and thirteen newspaper editorials were written on the situation.
Wednesday, January 15, 2020
Background and Politics in John Milton`s Paradise Lost
Milton has dramatic vision of God in history, re-creating the key stories of Scripture. Once an active participant in the political turmoil of seventeenth-century England, he now asserts in Paradise Lost â€Å"Eternal Providence†that transcends not only his contemporary England but also the sinful works of men in history. Milton finds the will of God, not in the reformation of the political world, but in the spiritual reformation of each individual. Thus he becomes a prophet, seeing the things invisible and proclaiming the values that are eternal.Recent critics have called attention to Milton's view of history reflected in his Paradise Lost. They tend to lay much emphasis on his political awareness to see spiritual aspects that underlie Milton's poetic imagination. Christopher Hill (1978), for example, stresses the importance of a historical approach to Milton's Paradise Lost. Hill connects Milton's ideas, or even his theology, to the political circumstances of seventeenth-ce ntury England.For Hill, it is astonishing if Paradise Lost is not about politics; he calls it â€Å"a different type of political action from those which have failed so lamentably†(67). It is true, that Milton's concern with political circumstances is an important element that enables him to perform his role as a prophet and to participate in the historical process with a prophetic vision of teaching and correcting his contemporaries. Paradise Lost is obviously political poem. The text conceals the historical traces of its own composition so skilfully that readers are likely to forget its political significance.While Paradise Lost was evidently composed over the long period before and after the Restoration, it saw new political problems in post-revolutionary society. Among Milton's three major poems, the brief epic thus addressed itself most specifically to the Restoration audience. The purpose of this paper is to historicise Paradise Lost as a Restoration poem in order to p ropose a new political way of reading the epic. No English writer dealt more directly with Eden lost and redeemed than John Milton, and this work analyses his uses of Paradise to express his ambivalence about empire.After the establishment of Puritan Massachusetts in 1630, British colonial energies (and Milton's) were absorbed by internal conflicts through the civil wars of the 1640s and into the Interregnum of the 1650sâ€â€an introversion brought to an end by Oliver Cromwell in 1654â€â€1656 with his unilateral Western Design against Spanish America. However much Paradise Lost (1667) reveals Milton's double-mindedness about such designs, there can be little doubt that the highwater mark of Miltonic anti-imperialism is found in Paradise Regain'd (1671).It is in this brief epic that heroism is most fully reimagined along Augustinian and humanist lines. Here Jesus, Christendom's moral model, rejects first the temptations of patriotic conquest and, beyond these, the temptations of universal virtue. Therefore, Milton's poetic message is for his contemporary England. Even though Milton as a poet-prophet does not ignore the situations in which he is placed, the message he delivers in Paradise Lost contains a spiritual meaning that transcends the political and temporal world of his time.A similarity between Milton and Isaiah can be found in their pursuit of the timeless truth that God is our salvation. Isaiah foresees that truth in the future history of Israel, while Milton sees it in Adam's historical preview, which is also a historical review for Milton. With regard to Isaiah's prophetic vision, Hobart Freeman argues that â€Å"Not every prophecy needs to be traced to a definite contemporary historical situation, nor directly applicable to the generation to whom it is spoken.†If we apply this to Milton's poetic work, Milton â€Å"speaks from an ideal, future standpoint as if it were the present or past†(166). Milton clearly demonstrates his ro le as prophet in the last two books of Paradise Lost by immersing himself in future events in order to allow Adam a vision of the restoration of man from his fallen state. Paradise Lost deals with God's handling of human affairs in history, and out of that context, delivers the spiritual message to the individual man. The first is the revelation of divine truth, the second the illumination of the mind.Milton presents in Paradise Lost two important aspects of God's purpose: first, God's macrocosmic purpose in history, and second, His microcosmic purpose in each individual soul. These two elements, historical and spiritual, are essential components of the poem. Milton in his writings shares the fundamental outlook that traces its roots to the ideology of holy war. In the case of the Civil Wars, this occurrence is only natural considering the extent to which the Civil Wars were looked upon as holy wars both by those who upheld in battle the cause of God against the king and by those wh o inculcated holy war ideology into the warriors.It is no accident that the War in Heaven is conceived as a civil or â€Å"Intestine War†(6. 259). In this sense, Abdiel, that most outspoken of nonconformists, refers ironically to himself as a â€Å"dissenter†and to the host of God as â€Å"sectarians†(6. 145-47). Milton saw no contradiction in the fact that as one who supported the rebellion against God's so-called vicegerent on earth, he could write an epic portraying the evils of rebelling against God's true â€Å"Vice-gerent†in Heaven (5. 609).Milton's celestial battle transcended the conflicts of Milton's own time and expressed the larger conceptions of holy war, conceptions that are both cosmic and apocalyptic. The historical orientation of Paradise Lost in the political context of Restoration society requires a juxtaposition of the brief epic not so much with Milton's political pamphlets before the Restoration, like Eikonoklastes (1649) or The R eadie and Easie Way (1660). Paradise Lost is historically in closer proximity to Of True Religion than to any other polemical piece of the author.With all their generic differences, the two works, sharing the plain style peculiar to the Restoration Milton, were published in a crucial period before and after the Declaration of Indulgence in 1672, when Restoration society was groping for a new direction after the lapse of the Clarendon Code which had imposed public regulations on the matter of private faith. Paradise Lost appeared when Milton's contemporaries were eager to settle the developing issue of the relationship between the public and private spheres in Restoration society.And should I at your harmless innocence Melt, as I do, yet public reason just, Honor and empire with revenge enlarged By conquering this new world, compels me now To do what else though damned I would abhor. â€â€Satan, John Milton, Paradise Lost 4. 388â€â€92 Whoever fights monsters should see to it t hat in the process he does not become a monster. â€â€Friedrich Nietzsche, Beyond Good and Evil 4. 146 In October 1568, 114 English seamen, their ship badly damaged by a battle in the Gulf of Mexico, voluntarily stranded themselves on the coast of the Yucatan peninsula.They stepped ashore into what would become forthe British one of their most luridly imagined hells: a howling tropical jungle, steaming with disease, crawling with exotic vermin, peopled with fierce tribesmen, and, worst of all, governed by Spaniards. Fifteen years later one survivor, Miles Philips, landed back in England alone, bearing on his body the marks of chains, the rack, and the lash, and bearing in his mind the kind of stories that haunt the hearer's sleep. These stories, which further blackened the already â€Å"Black Legend†of Spain, he recorded for Richard Hakluyt, who included them in his 1589 Principal Navigations (9:398â€â€445).We cannot adequately understand the British Empire or its lit erary productions unless we see them in the tremendous Spanish shadow that loomed so large at the empire's birth. Paradoxically, Spain's empire very nearly made British expansion impossible, and yet it created conditions that made British imperialism feasible. Furthermore, Spanish threats made English colonization seem materially necessary; and above all, Spanish atrocity made the English response seemâ€â€to most Protestant imaginations, at leastâ€â€spiritually righteous.Indeed, Spain menaced the English Protestant imagination far longer than it menaced the English nation. As a case in point, this work examines one of the enduring literary fruits: that encyclopedic piece of Protestant imagining known as Paradise Lost. Composing 150 years after Las Casas first compared the conquistadors to demons, and nearly a century after the last serious Spanish threat to English interests, John Milton nevertheless chose to compare his Prince of Darkness to a conquistador. Throughout his e pic, Milton amplifies Satan's audacity and atrocity with frequent, implicit parallels to Cortes's conquest of Mexico.These Spanish inflections afforded Milton special means to demonize the Devil. They also suggest the degree to which the British were able to transmute their own daunting imperial liabilities into ideological advantages and virtues. Many parallels between the Satanic and Iberian enterprises in Paradise Lost involve basic matters of setting and plot. David Quint has looked for analogues mainly to Portugal and the East, demonstrating that Satan's voyage in books 2 and 3 parodies Vasco da Gama's discovery of the sea route to India, as rendered by Luis de Canoens in Os Lusiadas.But Milton's allusions to Spain's western discoveries are equally suggestive. These begin with Satan's commission in Pandemonium. Speaking under the Vatican-like dome of Hell's capital, his lieutenant Beelzebub climaxes the hellish consult by proposing the â€Å"easier enterprise†(2. 345) o f an attack on the â€Å"happy isle†(2. 410) of this â€Å"new world†(2. 403). †¦ here perhaps Some advantageous act may be achiev'd By sudden onset: either with Hell fire To waste his whole Creation, or possess All as our own, and drive as we were driven, The puny habitants, or if not drive, Seduce them to our Party †¦ (2. 362â€â€68) Beelzebub envisions a kind of geopolitical coup, one that we can recognize as analogous to Spain's American outflanking of its Islamic and Christian rivals at the end of the fifteenth century (Hodgkins 66). Also, while Satan the navigator may resemble da Gama and Columbus, as a traveler he is even more like the wily Cortes. There is more at work in Satan's successful voyage than mariner's luck, skill, and perseverance; there is also, most essentially, interpersonal guile.In his crucial negotiations at the frontiers guarded by Sin, Death, and Chaos in book 2, Satan seems less like Columbus the earnestly persistent and more like Cortes the trickster. First of all, both Satan and Cortes opportunistically stoke the fires of resentment and dissension. Cortes's chaplain, Gomara, writes that, upon reaching the Mexican coast, Cortes found Montezuma's outlying imperial vassals ripe for rebellion and sought their aid and direction. The Indians of Cempoala and of Tlaxcala further inland were â€Å"not well affected to Mutezuma, but readie, as farre as they durst, to entertayne all occasions of warre with him†(Purchas 15. 509).Similarly, in Paradise Lost, Sin and Chaos, while nominally subject to God â€Å"th' Ethereal King†(2. 978), willingly receive Satan's flattering promises that his mission will yield rich booty and restore their rightful power and sovereignty over the realms lately possessed by the divine Emperor. â€Å"[I] shall soon return, †Satan assures his daughter and lover, Sin, â€Å"And bring ye to the place where Thou and Death †¦ shall be fed and fill'd / Immeasurab ly, all things shall be your prey†(2. 839â€â€40, 843â€â€44).Further on, Satan implores the personified Chaos to â€Å"direct my course, †for, he promises, Directed, no mean recompense it brings To your behoof, if I that Region lost, All usurpation thence expelled, reduce To her original darkness and your sway (2. 980â€â€84). So Chaos blesses the venture and shows the way, and Satan wastes no time in launching out on the last leg of his journey to â€Å"this frail World†(2. 1030). After Satan's voyage and earthly landfall, Milton's reimagining of earth and Eden as an idealized western planting permeates the poem.Though he explicitly compares the â€Å"gentle gales†that â€Å"dispense / Native perfumes†to the exotic east of â€Å"Mozambic†and â€Å"Araby the blest†(4. 156â€â€63 passim), aromatic breezes also announce the American shore: from Columbus's first scent of San Salvador and Hispaniola, to Michael Drayton' s Edenic Virginia and Andrew Marvell's imagined Bermudas, the west is also the land of spices (Knoppers 67). Yet Milton evokes not only pre-Columbian America's fragrant garden delights but also its golden and urban splendors.The conquistadors came west for treasure, and Satan has an eye for it as wellâ€â€the â€Å"golden Chain†that Satan sees linking Earth to Heaven (2. 1051), the â€Å"potable gold†of Earth's rivers (3. 608), and especially the â€Å"vegetable gold†hanging from the Trees of Life and Knowledge (4. 218â€â€20; 9. 575â€â€78). Similarly, Cortes wonders at the Mexicans' â€Å"simplicitie†in undervaluing their abundant gold and touts it as a literally consumable elixir, telling Montezuma's emissary that â€Å"he and his fellowes had a disease of the heart, whereunto Gold was the best remedie†(Purchas 15. 507 8).Similarly Satan, by claiming to have consumed the golden fruit, persuades innocent Eve in book 9 of its transformative powers (9. 568â€â€612). However, when Satan first sees the Earth, Milton compares the view to a city, not to a garden, and the view is strikingly similar to the Spanish scout's first sight of the Mexican capital from the barren volcanic pass of Mount Popocatepetl, looking down on the cities glittering on Lake Texcoco. In Paradise Lost, the epic simile unfolds as Satan Looks down with wonder at the sudden view Of all the World at once.As when a Scout Through dark and desert ways with peril gone Obtains the brow of some high-climbing Hill, Which to his eye discovers unaware The goodly prospect of some foreign land First seen, or some renown'd Metropolis With glistering Spires and Pinnacles adorn'd, Which now the Rising Sun gilds with his beams (3. 542â€â€44, 546â€â€51). Likewise, in Gomara's words, Tenochtitlan and its sister cities were â€Å"an exceeding goodly sight. But when Cortes saw that beautiful thing, his joy was without comparison†¦. Whoeve r hath good eyesight might discern the gates of [Tenochtitlan].. . . These Towres [of the cities Coyoacan and Vizilopuchtli] are planted in the Lake, and are adorned with many Temples, which have many faire Towres, that doe beautifie exceedingly the Lake†¦. [and] many drawne Bridges built upon faire arches†(Purchas 15. 520â€â€21, 522, 523). Even the roadways into Tenochtitlan and Eden are similarly convenient. Gomara writes that the Mexican capital was entered over â€Å"a faire calsey [causeway], upon which eight horsemenne may passe on ranke, and so directly straight as though it had been made by line†(Purchas 15.523). Likewise, Satan sees â€Å"A passage down to th' Earth, a passage wide†(3. 528). In terms of England's domestic affairs, Milton's return to poetry after 1660 was no mere quietism or withdrawal from politics, but rather, as Laura Lunger Knoppers has suggested, â€Å"a complex internalization of Puritan discipline that can carry on the Good Old Cause in the very theater of the Stuart monarchy. †Thus in Paradise Lost, Milton seeks to restore right reason with an eventual view to restoring right rule at home. In other words, his retreat is strategic.Similarly, beyond the domestic sphere, when Paradise Lost exploits colonial imagery so extensively so soon after the failure of Cromwell's â€Å"imperial republic, †Milton is not merely spiritualizing a language of defeated earthly hopes (Barnaby 56). Instead, he is practicing another kind of strategic retreat, engaging in what Blake aptly called â€Å"mental fight†â€â€stiffening the heart's sinews against all temporally and temporarily ascendant tyrannies, whether in the heart or at home or abroad. He is biding his time, the reader's time, the nation's time, serving by standing and waiting for Providence to show his hand.Like Cortes the conquistador, like the conquistadorial Satan, Milton knows that conquest, and reconquest, start with the sou l's invisible empire. And Milton never fully abandons his belief that war against flesh and blood has its place in the wars of the spirit. Works Cited Barnaby, Andrew. â€Å" `Another Rome in the West? ‘: Milton and the Imperial Republic, 1654â€â€1670. †Milton Studies 30 (1990). Hill, Christopher. Milton and the English Revolution. New York, 1978. Hodgkins, Christopher. Reforming Empire: Protestant Colonialism and Conscience in British Literature.University of Missouri Press: Columbia, MO, 2002. King, James. An Introduction to the Old Testament Prophets. Berkeley: University of California Press, 1977. Knoppers, Laura Lunger. Historicizing Milton: Spectacle, Power, and Poetry in Restoration England. Athens: University of Georgia Press, 1994. Milton, John. Paradise Lost; Paradise Regained; Samson Agonistes. Collier Books: New York, 1962. Purchas, Samuel. Hakluytus Posthumus, or Purchas His Pilgrimes. 20 vols. Glasgow: James MacLehose and Sons, 1905â€â€1907.
Tuesday, January 7, 2020
Global Warming And Its Effects On The World Essay
Among the issues plaguing our world such as global warming, pollution, deforestation, depletion of natural resources, increased emergence of pandemics and epidemics, loss of freshwater, and species extinction there exists one underlying cause, overpopulation. The human population has reached a record 7,467,374,326 people as of 11/27/2016, and is growing at an exponential rate (Current World Population). With the Earth’s number of occupants multiplying so rapidly, our need for resources escalates alongside it. According to Edward O. Wilson, a sociobiologist at Harvard University, â€Å"the planet can hold 10 billion people at the uppermost population limit.†(How Many People Can Earth Support?) Once we reach that threshold, then we will use what little remaining resources we possess and all die in a mass famine. If the human race keeps increasing at the projected amount, then metropolises like New York City will become the standard size for any city or town. 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